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Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

 

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Carlo Crivelli Annunciation with St. Emidius oil painting

Painting ID::  58511

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Carlo Crivelli
Annunciation with St. Emidius
Annunciation with St. Emidius (1486) 207x146,5 cm National Gallery, London.
   
   
     

 

 

Carlo Crivelli Crivelli 1476 painting of Saint Stephen oil painting

Painting ID::  58512

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Carlo Crivelli
Crivelli 1476 painting of Saint Stephen
Crivelli's 1476 painting of Saint Stephen, with three stones and the martyrs' palm.
   
   
     

 

 

Carlo Crivelli Crivelli oil painting

Painting ID::  58514

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Carlo Crivelli
Crivelli
Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
   
   
     

 

 

Carlo Crivelli St James of the Marches with Two Kneeling Donors oil painting

Painting ID::  84866

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Carlo Crivelli
St James of the Marches with Two Kneeling Donors
Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in). Medium English: oil on wood Date 1477 cjr
   
   
     

 

 

Carlo Crivelli Pieta oil painting

Painting ID::  85742

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Carlo Crivelli
Pieta
Date second half of 15th century Medium Oil on wood cjr
   
   
     

 

 

Carlo Crivelli Madonna with Child oil painting

Painting ID::  94653

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Carlo Crivelli
Madonna with Child
1470 (1470) Location Pinacoteca de Macerata cyf
   
   
     

 

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Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.